The rhythmical counterpoint of the piece is of some interest. The first and third lines start with two unstressed syllables thence a stressed one, unlike the middle. This latter line consists of three stressed syllables separated by two unstressed ones; it also forms the start of the primary clause, hence the added emphasis on "Fallen"(l. 2). The use of rhyme further ties together the images of rot and the apricot, as well as rhythmically tying the two lines together. Thus, the first and second lines are united by the third line, rhythmically, and by means of meaning in terms of primary and subordinate clause.

This reading refers to: The Last Apricot By Clark Ashton Smith