Re: CAS v. 5 (Night Shade Books)
Posted by:
jimrockhill2001 (IP Logged)
Date: 20 September, 2010 06:54AM
Nice to see that you are still humorless, still defensive about your own positions or errors (though quick to point out the flaws in others), and still prone to loading your posts with rhetoric ("cheap debating point", "Thought Police") in an attempt to make those positions seem as if they were brave sallies against the status quo, instead of simple opinions, whenever someone else attempts to express their own opinion or make an objective point.
Does Karajan represent Beethoven's symphonies justly or Furtwangler, or Klemperer, or Szell, or Matacic, or Cluytens, or Abbado, or Barenboim, or Harnoncourt, or Mackerras, or Skrowaczewski, or (the list goes on and on and on)? The greater the artist, the more ways in which that artist can be represented and only a boor insists on outshouting everyone else, because only his or her opinion is valid. If our definitions of what fits the canon are too narrow, there would have been no room for Beethoven (compare his Eroica or the Ode to Joy structurally, gesturally, and orchestrally to even the most ambitious of their predecessors), just as there was no room for Smith for decades. The introduction to one of the recent Bison reprints refers to "outsider art" when describing Smith's stories.
I like both approaches to Smith. I suggested the cover illustration for THE FREEDOM OF FANTASTIC THINGS and approached the artist's estate for reprint rights; but I also like one or two of the Penningtons, all of the Gallardos, and the present set of covers by Van Hollander.
Each of these artists brings out something different to consider about Smith, and the thing I like best about the Van Hollander covers is that once one gets past the somewhat garish foreground figures, there is a myriad of more subtle things going on in the background. And is this not like Smith's own writing? We may initially be attracted (or repelled) by the plot or the jeweled language, but there is a deeper emotional undercurrent that holds our attention to the end, and ensures that we return.
There may be in the cup
A spider steep'd, and one may drink; depart,
And yet partake no venom (for his knowledge
Is not infected), but if one present
Th' abhorr'd ingredient to his eye, make known
How he hath drunk, he cracks his gorge, his sides,
With violent hefts. I have drunk, and seen the spider.
Is the spider (or as another person has suggested, the vomit) all you see? Are only your tastes valid? Only your arguments defensible? Only your motives untainted?
You are entitled to your opinions, but it seems more than a little odd to see you demanding that everyone else respect your opinions when you show so little respect for anyone else.
Edited 1 time(s). Last edit at 20 Sep 10 | 07:19AM by jimrockhill2001.